Two Things I Learned About Writing a Sequel

When it came to writing Wolf’s Bane, the sequel to The Purple Morrow, I was at a loss. Thrilled with the accomplishment of completing one book, I was eager to get cracking on the sequel. My enthusiasm dwindled, however, when I faced reality.

WolfsBane_Cover_2015_smashwords (1)

Just how do you go about writing a sequel?

It’s possible that nowadays there is a lot of information on the subject, but at the time, about 2 years ago, my searches came up nil. I asked around some of the writing groups I was a part of and scanned the internet, but ultimately I decided to do what I usually do, which is make it up as I went along. This post is for those of you who, like me at the time, are looking for somewhere to begin.

So, a billion rewrites later Wolf’s Bane is finished. It was a long and tough road to get it done. Here are some of the things I learned along the way:

    • Just because you wrote one book doesn’t mean the second will be a breeze. Writing is fun but it is hard. We do it because it’s something we enjoy and we look forward to the finished project. However, each book is its own entity, and just because you figured out how to wrangle that first beast to the ground doesn’t mean the next one will lie down and roll over for you.

steer

My challenges were many, but the one that stands out right now is trying to figure out how to write a ‘bridge’ book, basically a story that connects the events of the first to the eventual third book. The dilemma was balance. The bridge book has the job of continuing the story readers fell in love with in book 1 yet it couldn’t give away too much information or wrap up too much plot or my final book wouldn’t have punch. That, or by telling too much story, I’d end up with two-books instead of three.

scales

Also, it had to be satisfying. It’s one thing to ask people to read a book, it’s another to ask people to read an ‘in-between’ book. Really, by the end of book 1, readers are salivating for more but we’ve left them with what is essentially an unfinished story. Knowing that book 2 will be another unfinished story, I thought it was important to make sure that it was worth their time. I felt the story had to feel familiar yet present fresh ideas and twists, rewarding readers with a fulfilling experience, which would hopefully entice them to pick up the third installment when it comes out. That’s a tall order.

happy-face

In the end, I delved into world building, developing new and familiar people groups, their cultures and histories in order to emphasize how the past and the present affect the characters and their choices, which influences the overall stakes. I also worked on deeper character development and the addition of plot twists and big revelations to keep it interesting. Bane is a book that solidifies the story begun in book one, reveals more of what is really going on and sets up the events leading up to the final conflict and resolution in book three. Sounds easier than it is, which is why it took about 2 years to get it done.

    • It’s not so easy to know how much of the other book(s) to include. I wasn’t able to get a clear answer on this point either. People I spoke to had different answers. Some write sequels without any summaries of the past book at all and others devote sections of to resume what went on before. I tried both tactics on different occasions to expected results. In the summary-less version, readers claimed they could not understand what was going on, in the summary-rife version readers complained about info dumping bogging down the story. So I compromised. Whenever I came to a place I thought explanation was needed, I wrote a line or two referencing an event in book 1 and then moved on. My hope is that for those who had read book 1 but forgot a detail, it would refresh their memory, and for new readers that they might be curious enough about book 1 to pick up a copy of Morrow to read. For the enjoyment of having a ‘full story’ experience, of course. 🙂

So, I’m curious to know how you have handled writing a sequel. How did you go about it? What tips and suggestions do you have to share?

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About Dyane

Dyane Forde’s love of writing began with an early interest in reading and of words in general. Writing has been a life-long passion and she writes all types of things, from short stories, novels, flash fiction and poetry. Dyane writes to communicate, meaning that writing becomes a means through which she seeks to connect with people on a level deeper than intellect.
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11 Responses to Two Things I Learned About Writing a Sequel

  1. Constance says:

    Reblogged this on Live Your Dreams and commented:
    I’m writing a sequel right now, also. A beta dinged me on not providing enought background. So I know what you mean.

    Like

    • Dyane says:

      Appreciate the reblog, Constance! Yeah, it’s a tough call because, as the author, you know the story details so figuring out what to share and what to hold back isn’t an obvious line. And there’s always that nagging anxiety of “What if the reader doesn’t get it?” at the back of our minds. Sigh!
      Good luck! And congrats on the release of Coal! It’s great to read your updates. 🙂

      Liked by 1 person

  2. I’m there right now as I outline book 2 of my series. I know the story and the characters for all three books, but I don’t know how the story unfolds… yet. I am going with the no-summary route for the initial draft and add tidbits later if necessary. I never, I mean NEVER, pick up a book in the middle of a series, and I think most people wouldn’t either.

    -T
    Tanya Miranda – Writer, Dreamer, Intergalactic Superhero

    Liked by 1 person

  3. lampwright says:

    I also struggle a lot with how much to include of the previous books. I like your ‘write a line or two and move on’. Enough to remind the previous reader and to give a new reader a slight clue. I think that’s a great answer.

    Like

  4. Katie Cross says:

    Writing a 5 book series has been a real bugger because I feel like there’s already a strong expectation set out for the next book as established by the preceding books. It’s just insane. Plus, we’re creatives, so we put a lot of pressure on ourselves.

    I’ve just found that reading the past works (to maintain consistency) and continually working to make the story engaging and exciting has been the key for me. Also accepting that sometimes it just sucks really helps 🙂

    Liked by 1 person

  5. Oh, I so know what you’re saying here, Dyane. I’m almost finished editing the second book in my Reluctant Detective Series, and you describe the problems perfectly. I have gone for the couple of lines of reminder/explanation here and there. Hopefully it works. It took me longer than I thought it would too.
    How we suffer for our art 🙂

    Liked by 1 person

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